The Ibans are a branch of the Dayak peoples of Borneo. In Malaysia, most Ibans are located in Sarawak, a small portion in Sabah and some in west Malaysia. They were formerly known during the colonial period by the British as Sea Dayaks. Ibans were renowned for practising headhunting and tribal/territorial expansion and had a fearsome reputation as a strong and successful warring tribe in ancient times.
Since the arrival of Europeans and the subsequent colonisation of the area, headhunting gradually faded out of practice although many tribal customs, practices and language continue. The Iban population is concentrated in Sarawak, Brunei, and in the West Kalimantan region of Indonesia. They live in longhouses called rumah panjai[1].
Nowadays, most of the Iban longhouses are equipped with modern facilities such as electricity and water supply and other facilities such as (tar sealed) roads, telephone lines and the internet. Younger Ibans are mostly found in urban areas and visit their hometowns during the holidays. The Ibans today are becoming increasingly urbanised while retaining most of their traditional heritage and culture.
Total population are 600,000 (Sarawak only)
Regions with significant populations are Sarawak, Brunei & West Kalimantan
Language is Iban
Religion is Christianity
Related Ethnic Groups are Kantu, Mualang, Semberuang, Bugau & Sebaru'
Iban History
The origin of the name is a mystery, although many theories exist. During the British colonial era, the Ibans were called Sea Dayaks. Some believe that the word Iban was an ancient original Iban word for people or man. The modern-day Iban word for people or man is mensia, a totally modified Malay loan word of the same meaning (manusia) of Sanskrit Root.
The Ibans were the original inhabitants of Borneo Island. Like the other Dayak tribes, they were originally farmers, hunters, and gatherers. Not much is known about Iban people before the arrival of the Western expeditions to Asia. Nothing was ever recorded by any voyagers about them. The History of the migration of Iban people trace back to China where historians believe that the original Iban people migrated from Yunnan, a province in rural China.
The Ibans were unfortunately branded for being pioneers of headhunting. Headhunting among the Ibans is believed to have started when the lands occupied by the Ibans became over-populated. In those days, before the arrival of western civilization, intruding on lands belonging to other tribes resulted in death. Confrontation was the only way of survival.
In those days, the way of war was the only way that any Dayak tribe could achieve prosperity and fortune. Dayak warfare was brutal and bloody, to the point of ethnic cleansing. Many extinct tribes, such as the Seru and Bliun, are believed to have been assimilated or wiped out by the Ibans. Tribes like the Bukitan, who were the original inhabitants of Saribas, are believed to have been assimilated or forced northwards as far as Bintulu by the Ibans. The Ukits were also believed to have been nearly wiped out by the Ibans.
The Ibans started moving to areas in what is today's Sarawak around the 15th century. After an initial phase of colonising and settling the river valleys, displacing or absorbing the local tribes, a phase of internecine warfare began. Local leaders were forced to resist the tax collectors of the sultans of Brunei. At the same time, Malay influence was felt, and Iban leaders began to be known by Malay titles such as Datu (Datuk), Orang Kaya, Nakhoda and "Panglima". The other titles of Dayaks are Tuai Rumah, Tuai Menoa, Tuai Burong, Tuai Bumai, Manang, Lemambang and more modern titles include Pengulu, Pengarah and Temenggung.
In later years, the Iban encountered the Bajau and Illanun, coming in galleys from the Philippines. These were seafaring tribes who came plundering throughout Borneo. However, the Ibans feared no tribe, and fought the Bajaus and Illanuns. One famous Iban legendary figure is known as UnggangLebor Menoa from Entanak, near modern-day Betong, fought and defeated the Bajaus and Illanuns. It is likely that the Ibans learned seafaring skills from the Bajau and the Illanun, using these skills to plunder other tribes living in coastal areas, such as the Melanaus and the Selakos. This is evident with the existence of the seldom-used Iban boat with sail, called the bandung. This may also be one of the reasons James Brooke, who arrived in Sarawak around 1838, called the Ibans Sea Dayaks. For more than a century, the Ibans were known as Sea Dayaks to Westerners.
Religion, Culture and Festivals
The Ibans were traditionally animist, although the majority are now Christian, many continue to observe both Christian and traditional ceremonies, particularly during marriages or festivals. The majority of Iban people have changed their traditional name to a Hebrew based "Christian name" such as David, Christopher, Janet, Sona, or Joseph but a minority still maintain their traditional Iban name.
The longhouse of Iban Dayaks are constructed in such a way to act as an accomodation and a religious place of worship. The first item to erected during the longhouse building is the tiang pemun (the main post) from which pun ramu (the bottom of the wooden house parts) is determined and followed along the longhouse construction. Any subsequent rituals will refer to these tiang pemun and pun ramu.
The Iban religion can be as briefly summarized as follows: The supreme God is called Bunsu or Kree Petara, sometimes also called as Raja Entala or even Tuhan Allah Taala in modern times. The main seven petaras of Iban Dayaks who are the children of Raja Jembu are:
- Sengalang Burong as the god of war
- Biku Bunsu Petara as the high priest
- Sempulang Gana as the god of agriculture along with Semarugah as the god of land
- Selempandai as the god of creation
- Menjaya as the god of health and shamanism being the first manang bali
- Anda Mara as the god of wealth
- Ini Inee/Andan as the god of justice and a natural-born doctor
Significant traditional festivals to propitiate the above mentioned gods can be grouped into four categories related main activities among the Dayaks as the rice planting festivals, the war-related festivals, the health-related festivals and the luck-related festivals.
Rice farming is the key life-sustaining activity among Dayaks and thus there are many ritual festivals dedicated to this namely Gawai Batu (Whetstone Festival), Gawai Benih (Seed Festival), Gawai Ngalihka Tanah (Soil Reactivation Festival), Gawai Ngemali Umai (Farm-healing Festival), Gawai Matah (Harvest-starting Festival) and Gawai Bersimpan (Rice-Keeping) Festival.
The rice planting stages start from manggol (ritual initial clearing to seek good omen using a birdstick (tambsk burong), nebas babas (clearing undergrowth), nebang kayu (felling trees), ngerangkaika reban (drying out trees), nunu (burning), ngebak and nugal (clearing unburnt tress and dibbling), mantun (weeding), ngetau (harvesting), nungku (separating rice grains), muput (winding), nyembi padi (drying rice grains) and besimpan (rice keeping).
The war-related festivals include the bird festival (Gawai Burung) with nine succeeding stages and Gawai Kenyalang (Hornbill Festival) which is meant to pray and propitiate Sengalang Burong for guidance and assistance during the headhunting expeditions. Since headhunting has been prohibited and ceased, the bird festival can be used for magical healing purposes and to be held as Gawai Mimpi (Dream Festival) when told by spirits to do so.
The Gawai Burung (the bird festival) is held in honour of the war god, Sengalang Burong (Sengalang the Bird which is in reality the Brahminy Kite). This festival is initiated by a notable individual from time to time and hosted by individual longhouses. It originally honours warriors, but during more peaceful times evolves into a healing ceremony.
The health-related festivals are Gawai Sakit (Sickness Festival), Sugi Sakit and Renong Sakit to seek magical healing by Sengalang Burong, Menjaya or Ini Inee and Keling. Before employing these healing festivals, there are various types of pelian (healing ceremony) by a manang (traditional healer), pucau (short prayers) and begama (touching) by a dukun to be tried first. Two more festivals related to health and longivity are Gawai Betamabah Bulu (Hair Adding Festival) and Gawai Nanga Langit (Sky Staircasing Festival).
The luck-related festivals include Gawai Pangkong Tiang (House Main Post Banging Festival), Gawai Tuah with three successive stages (Luck Seeking and Welcoming Festival) and Gawai Tajau (Jar Welcoming Festival) to pray and to invoke Raja Anda Mara.
After death, the last ritual is called the spirit festival (Gawai Antu) for the dead.
For marriages, sometimes the wedding ceremony is called Gawai Lelabi (River Turtle Festival). Here the god invoked is Selampandai for fertility and procreation purposes.
It is common that all those festivals are to be celebrated after the rice harvesting completion which is normally by the end of May during which rice is plenty for holding feasts along with poultry like pigs, chickens, fish from rivers and jungle meats like deers etc.
Therefore, it is fitting to call this festive season among Dayaks collectively as the Gawai Dayak festival which is celebrated every year on 1 June, at the end of the harvest season, to worship the Lord Sempulang Gana and other gods. On this day, the Ibans get together to celebrate, often visiting each other.
The Iban traditional dance, the ngajat, is performed accompanied by the taboh and gendang, the Ibans' traditional music. There are various types of Iban traditional dance called ngajat such as:
- ngajat ngalu temuai (welcoming dance),
- ngajat indu (female dance),
- ngajat pua kumbu (a female dance with a woven blanket),
- ngajat lelaki (male dance),
- ngajat lesung (rice mortar dance),
- ngajat ngena capak/pinggai ngau kerubong strum (rice plate dance tapped with a few empty bullet shell inserted into middle fingers),
- ngajat bujang berani ngena terabai ngau ilang (warrior dance with a shield and a sword),
- ngajat bebunoh (hand combat dance normally between two dancers),
- ngajat laki enggau indu (dance by a group of men and ladies),
- ngajat niti papan (dance by a group of men and ladies on a a raised up wooden plank)
- ngajat Panggau Libau as a group of men with a sword and isang leaves.
- ngajat ngalu pengabang (dance leading the procession of guests during festivals)
- ngerandang ngau ngelalau jalai (way-clearing and fencing dance for main festivals)
- ngajat atas tawak.
The gendang can be played in some distinctive types corresponding to the purpose and type of each ceremony.
Sape is a music by Orang Ulu (Kayan, Kenyah and Kelabit). Datun Jalut is the most common one played for ngajat.
Pua Kumbu,
the Iban traditional cloth, is used to decorate longhouses. There are various types of buah (fruit) of pua kumbu which can be for ritual purposes or normal daily uses. Female Ibans will be graded according to their own personal capabilities during their life time, which include weaving as their topmost skills.
Hand-woven on a back-strap loom, Pua Kumbu represent the soul of Iban culture. It is a woven mythological tale about the weaver and her affiliation with the spirit world. The weaving is considered sacred and is believed to be able to mediate between man and the spirit world when spiritual power is woven into it with its designs conceived. Although dreams according to their weaving status and are thus limited in expressions till she is spiritually matured. In Iban culture, a woman who weaved a spiritually superb Pua Kumbu would achieves a social status equivalent to that of a great warrior.
Pua Sungkit
Among the three Iban Pua series identified, Pua Kumbu and Pua Karap are still available in the market with Pua Kumbu being most common. Pua Sungkit is totally unavailable in the market probably because no one is willing to go through the tedious process of its weaving journey. In fact, the function of Pua Sungkit in Iban Culture is exactly the same as Pua Kumbu, the only difference between Pua Sungkit and Pua Kumbu is the weaving technique and process during the making. However, due to its difficult making process, most Pua Sungkit are smaller in size and most of it were made into higher value items like costume where it was featured as skirt and only be worn by dancers of higher caliber during special occasion.
Pua Karap
Pua Karap, another piece of art that is equally important within the Iban Community. If we look at the traditional Iban costume, besides the silver headgear and accessories on the head and Marik Empang (the beaded collar) down the shoulder, Kain Karap made up the rest of the costume component (the Skirt and Selampai ) . Although sometimes we do find the skirt to be in the form of Pua Kumbu and Pua Sungkit, but Kain Karap is the preferred choice as its refined weaving technique adds texture to Nangjat performances, a must in most celebrations.
Tuak, which is originally made of rice and home-made yeast for fermentation, is a wine used to serve guests. Nowadays, there are various kinds of tuak, made with rice alternatives such as sugar cane, ginger and corn. Tuak and other types of drinks can be served on several rounds in a ceremony called nyibur temuai (serving drinks to guests) as ai aus (thirst queching drink), ai basu kaki (Feet Washing drink), ai basa (respect drink) and ai untong (profit drink)
Iban's Traditional Tattoo
The sketches of traditional Borneo patterns should generally be seen as nothing but vague guidelines, since different tribes use similar or the same motives,the meanings evolving from one village to the next. One meaning of "Pantang" in the Iban language is "Tattoo". But the Ibans were not simply out to document what they saw as Iban "fading tattoo values". They also had their own bodies tattooed in older designs and tattooed Iban men in exchange. This was their self-described "bejalai adventure through Sarawak," and they traveled to the Skrang and Bangkit rivers in search of men who still knew the old methods. In addition, the buah terung design and also known as the "bungai terung" finds a place in both sets, which suggests the old/new division is rather arbitrary. The meanings ascribed to the designs are sometimes consistent with what we have heard or read, and sometimes at variance, but that is no real surprise, the Ibans are not so homogeneous as we might be tempted to believe.The recitation of pantun and various kinds of leka main (traditional chants by poets) is a particularly important aspect of the festival.
The leka main (poems, proses and folklores) for Iban Dayaks can be categorised into three major groups i.e. leka main pemerindang (for entertaining purposes), leka main adat basa (for customary purposes) and leka main invokasyen (for invocation purposes).
The entertaining leka main includes pantun, jawang, sanggai, ramban, entelah, ensera, kana, pelandai ara and karong, wak anat mit, etc.
The customary leka main comprises jaku ansah, jaku geliga, tanya indu, muka kuta, muka kujuk, jaku karong, jaku dalam, jaku sempama, jaku silup, sugi semain, renong semain, renong sabong, renong kayau, renong ngayap, etc.
The invocation leka main consists of sampi, biau, timang, pengap, sugi sakit, renong sakit and sabak bebuah or sungkop or rugan. These invocation inchantations must accompanied with piring (ritual offerings) to appease the gods called.
The Iban leka piring (number of each offering item) is basically according to the single odd numbers which are piring turun 3, 5, 7 and 9 leka and agih piring (portion of offerings) is dedicated to each part of the long house bilek such as bilek four corners, tanju (verandah), ruai (gallery, dapur (kitchen), benda beras (rice jar), etc. as deemed fit and necessary. The genselan (animal offering) is normally made in the form of a chicken or a pig depending on the scale of the ceremony.
The augury system for the Iban Dayaks depends on several ways:
- dreams to present charm gifts or sumpah (curse) by spirits which normally has a life-time effects.
- omen animals (burong laba) such as deer barkings which also has long effects.
- omen birds (burong mali) which give temporary effects limited to certain activties at hands e.g. that year of farming.
- pig liver divination at the end of certain festival to read the future luck.
The omen birds of Iban Dayaks are seven in total namely Ketupong also known as Jaloh or Kikeh (Rufiuos Piculet), Beragai (Scarlet-rumped trogon), Pangkas (Maroon Woodpecker) on the right hand of the Sengalang Burong's longhouse bilek and Bejampong (Crested Jay), Embuas (Banded Kingfisher), Kelabu Papau (Senabong) (Diard's trogon) and Nendak (White-rumped shama). Their types of calls, flights, places of hearing and circumstances of the listeners are factors to be considered during the interpretation of the bird omens.
The Iban Dayaks used to believe in having charms namely ubat (medicine), pengaroh (amulet), empelias (anti-line of fire) and engkerabun (blurredness) given by gods and spirits to help them to get things like rice and jars easily, to make them kebal (bullet proof), unseen to human eyes or to make them extraordinarily stronger than other men whose attributes are wanted for rice farming, headhunting and other activities. For ladies, the charms will help them to be skillful in weaving.
There are several reasons why many Dayaks turn to Christianity:
- The traditional augury causes some complexity with many penti pemali (prohibitions), various omens, superstitions and delays in some works and progress of life.
- The healing (pelian) by manangs are not effective in curing some diseases. In fact, the manangs cannot cure small pox, cholera (muang ai), etc.
- Christianity is considered as new branch of knowledge to be adopted and adapted to the traditional customs.
- Christianity comes with western education.
- Defeats of Dayaks at the hands of Europeans with better weapons such as guns and cannons vis-a-vis traditional hand-held weapons such as swords, shields, spears and blowpipes despite strict adherence to traditional augury practices.
However, some Iban festivals (except Gawai Burong adn Gawai Kenyalang) can still be celebrated in the Christian ways like Gawai Antu, Gawai Umai, Gawai Lelabi by offering prayers to the Christian God instead of invoking the traditional gods after which traditional foods and drinks are offered and then traditional music and dance are played for merrymaking.
Despite the difference in faiths, Ibans of different faiths do help each other during Gawais and Christmas. Differences in faith is never a problem in the Iban community. The Ibans believe in helping and having fun together.
Iban Warrior Costume
A traditional Warrior Costume that symbolised the bravery of the indigenous community are known as "GAGONG" which is the pride of the Dayak Iban people. The Iban craftsmen have taken it upon them to continue producing the costume to ensure that the outfit which once worn by their ancestors, who were feared as the headhunters, does not become extinct. Now the gagong is worn on special occasions like Gawai Day (Harvest Festival) or celebrations such as weddings in the hope that the warrior’s spirit and valour continues in the future generations of the Iban community. "Baju Gagung" is a hard thick clothing made from animal skin like a bear skin(Jugam) or goat (mostly, all the gagong made using the goat skin, which is easier to find), but not sewn the left and right. Not all people can wear Gagong because it is only can be wear by a brave and strong people who went to the war. Most of the enemy, afraid to fight, if the Ibans use gagong when they go for a war.
Musical & Dancing Heritage
Iban music is percussion-oriented. The Iban have a musical heritage consisting of various types of agung ensembles - percussion ensembles composed of large hanging, suspended or held, bossed/knobbed gongs which act as drones without any accompanying melodic instrument.
The typical Iban agung ensemble will include a set of engkerumungs (small agungs arranged together side by side and played like a xylophone), a tawak (the so-called 'bass'), a bendai (which acts as a snare) and also a set of ketebung (a single sided drum/percussion).
The Iban as well as the Kayan and Kenyah also play an instrument resembling the guitar called Sape (instrument). The Sape (instrument) is the official musical instrument for the Malaysian state of Sarawak. It is played similarly to the way rock guitarists play guitar solos, albeit a little slower, but not as slow as blues. One example of Iban traditional music is the taboh.
The Ibans perform a unique dance called the ngajat. It serves many purposes depending on the occasion. During Gawais, it is used to entertain the people who in the olden days enjoy graceful ngajats as a form of entertainment. Iban men and women have different styles of ngajat. The ngajat involves a lot of precise body-turning movements. The ngajat for men is more aggressive and depicts a man going to war, or a bird flying (as a respect to the Iban god of war, Singalang Burong). The women's form of ngajat consists of soft, graceful movements with very precise body turns. Each ngajat is accompanied by the taboh or the body.
NGEPAN INDU IBAN
1. Sugu Tinggi
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Tangu/Marik Empang (Credit: http://telenjun.blogspot.com/) |
Selampai (Credit: http://telenjun.blogspot.com/) |
Rawai (Credit: http://telenjun.blogspot.com/) |
Sementing Ringgit (Credit:http://telenjun.blogspot.com/) |
Tumpa (Credit:http://telenjun.blogspot.com/) |
Lampit (Credit:http://telenjun.blogspot.com/) |
Sengkiling (Credit:http://telenjun.blogspot.com/) |
Buah Pauh(Credit:http://telenjun.blogspot.com/) |
Gerunchung Kaki (Credit:http://telenjun.blogspot.com/) |
Kain Kebat (Credit:http://telenjun.blogspot.com/) |
Iban foods
Their traditional foods are called Pansuh food, which simply means the cooking of food or dish in a bamboo stem. It's naturally clean, easy and simple. The food (meat, chicken, fish, vegetables and even rice together with the spices) will all be put together into the bamboo stem, then directly placed over an open fire to be cooked. The uniqueness of using the bamboo stem to cook is that the bamboo will give a special aroma and texture to the food where it's impossible to have using other methods such as using woks.
Forest ferns have a special place in the diet of the people, with the two most popular ferns used as vegetables being midin and the fiddlehead fern (pucuk paku). Midin grows wild in the secondary forests and is peculiar to the state. It has curly fronds and is very crunchy even after it has been cooked. Rural dwellers have always considered the fern a tasty, nutritious vegetable and the jungle fern’s rise from rural staple to urban gourmet green occurred in the 1980s with the increased urban migration of the Iban. Aromatic leaves from trees, such as the Bungkang, are also used in cooking to flavour food. Midin, is a jungle fern (quite similar to 'pucuk paku' that is popular in the Peninsular, but crispier). Midin is much sought after for its crisp texture and great taste. Midin is usually served in two equally delicious ways - fried with either garlic or belacan (shrimp paste). It is normally eaten with rice.
Penganan (cakes from rice flour, sugar and coconut milk), kuih jala', kuih sepit' and 'kuih penyaram'
One of the best known Iban dishes is pansoh manok (ayam pansuh), which features chicken and lemongrass cooked in a bamboo log over an open fire. This natural way of cooking seals in the flavours and produces astonishingly tender chicken with a gravy perfumed with lemongrass and bamboo.
A visit to the longhouse will usually see guests welcomed with a glass of tuak, a home-brewed rice wine. The brew has a sweet fragrance and is highly alcoholic – a small glass is enough to send the unaccustomed to euphoric heights. Tuak is a type of liquor, unique to Iban and Bidayuh communities in Sarawak. It is made from either fermented rice or sugarcane although the former is more popular. It is normally served as a welcoming drink to guests, or during festive occasions like Gawai or Christmas.
The numerous riverine areas of Sarawak provide the state’s inhabitants with abundant fresh water fish, with the Tilapia being the most widely cultivated. There are sago grubs, bamboo clams and temilok (marine worms) to try. The bright yellow, round eggplants and turmeric flowers are also found in Iban foods
Pansuh (Credit: http://thehornbill.blogspot.com) |
Tuak (credit:http://thehornbill.blogspot.com) |
Other Traditional food
Ulat Mulung (Credit:http://sunburst88.blogspot.com) |
Ensabi(Credit:http://sunburst88.blogspot.com) |
Kasam (Credit:http://sunburst88.blogspot.com) |
Branches of the Iban People
Although Ibans generally speak a dialect which is mutually intelligible, they can be divided into different branches which are named after the geographical areas where they reside.
- Ibans who settled in areas in Serian district (places like Kampung Lebor, Kampung Tanah Mawang & others) are called Remuns. They may be the earliest Iban group to migrate to Sarawak.
- The original iban Lubok Antu Ibans are classed by anthropologists as Ulu Ai/batang ai Ibans.
- Ibans from Undup are called Undup Ibans. Their dialect is somewhat a cross between the Ulu Ai dialect & the Balau dialect.
- Ibans living in areas from Sarikei to Miri are called Rajang Ibans. They are the majority group of the Iban people. They can be found along the Rajang River, Sibu, Kapit, Belaga, Kanowit, Song, Sarikei, Bintangor, Bintulu and Miri. Their dialect is somewhat similar to the Ulu Ai or lubok antu dialect.
Cultural references
The episode, Into the Jungle from Anthony Bourdain: No Reservations included the appearance of Itam, a former Sarawak Ranger and one of the Iban people's last members with the Entegulun (Iban traditional tattoo design) (hand tattoos) signifying his taking of an enemy’s head.- The Iban were featured on an episode of Worlds Apart on the National Geographic Channel.
- The movie The Sleeping Dictionary features Selima (Jessica Alba), an Anglo-Iban girl who falls in love with John Truscott (Hugh Dancy). The movie was filmed primarily in Sarawak, Malaysia.
- Malaysia's Ethnic Pop Queen, Noraniza Idris recorded Ngajat Tampi in 2000 and followed by Tandang Bermadah in 2002 which is based on Ibanese tribe music composition. Both songs became a fame in Malaysia and neighborhood countries.
- Love of a Forest Maiden(CHINTA GADIS RIMBA) is 1958 film (Chinta Gadis Rimba) directed by L.Krishnan .It is based on the novel (the 1st time Malay film has been adapting from a novel) .Chinta Gadis Rimba by Harun Aminurrashid and the main cast by S.Roomai Noor,Narang and M.Amin. The film is about Bintang, the Iban girl who goes against the wishes of her parents and runs off to her Malay Lover.The film also the first time a full length picture has been shot in Sarawak and the first time a Iban girl has played the lead in film.
- "Bejalai" is a 1987 film directed by Dr Stephen Teo (currently a research fellow at the Asia Research Institute, National University of Singapore, and a senior associate of RMIT University) and Starring (Dick Isaac as Rentap) Salome Kumpeing, Chiling Nyanggai. This film is the first to be made in the Iban language in Sarawak, and it features good English subtitles and also the 1st Malaysian film to be selected for the Berlin Film Festival (in 1989) is an experimental feature about the custom among the native Iban community of Sarawak for young men to "bejalai" (go on a journey) before attaining maturity.
- Farewell to the King a 1989 film written and directed by John Milius. It is based on the 1969 novel L'Adieu au Roi by Pierre Schoendoerffer. The film is marketed with the tagline "In the midst of war, one man vanished into the jungle, and emerged as king". The plot taking place during World War II, American deserter Learoyd escapes a Japanese firing squad. Hiding himself in the wilds of Borneo, Learoyd is adopted by a Iban People (Sea Dayaks of Borneo).
- the 1st TV Ads in Iban Language and directed by Late Yasmin Ahmad with help of Leo Burnett.For Malaysia’s 50th anniversary celebration, Maybank came up with a unique commercial that tickled Malaysians. The scenes were shot in Bau and Kapit, using a Sarawak cast.
1. Tun Stephen Kalong Ningkan (Sarawak First Chief Minister)
2. Datuk Pengulu Tawi Seli (Sarawak Second Chief Minister)
3. Tun Datuk Patinggi Tan Sri Temenggong Jugah anak Barieng (Second Paramount Chief of the Iban people and one of the key signatories on behalf of Sarawak to Formation of the Federation of Malaysia)
4.Temenggong Datuk Kanang anak Langkau (National Hero of Malaysia)
5.Rentap (Iban Dayak rebel leader in Sarawak)
6.Dato Sri Tra Zehnder(1st lady member of the State Legislative Assembly (DUN))
7.Temenggong Koh, First Paramount Chief of the Iban people
Bibliography
Sir Steven Runciman, The White Rajahs: a history of Sarawak from 1841 to 1946 (1960).
- James Ritchie, The Life Story of Temenggong Koh (1999)
- Benedict Sandin, Gawai Burong: The chants and celebrations of the Iban Bird Festival (1977)
- Greg Verso, Blackboard in Borneo, (1989)
- Renang Anak Ansali, New Generation of Iban, (2000)
- ^ "2010 Population and Housing Census of Malaysia" (in Malay and English). Department of Statistics, Malaysia. Retrieved 2012-06-17. p. 108
- ^ Mercurio, Philip Dominguez (2006). "Traditional Music of the Southern Philippines". PnoyAndTheCity: A center for Kulintang - A home for Pasikings. Retrieved November 21, 2006.
- ^ Matusky, Patricia. "An Introduction to the Major Instruments and Forms of Traditional Malay Music." Asian Music Vol 16. No. 2. (Spring-Summer 1985), pp. 121-182.